group exhibition / after image 003 / march 6 - 29, 2025
The status of the image in art has invariably been a subject of debate in art criticism, and ever more in recent years. In turn, the image has been fully subsumed into the circulation of production and consumption. Images have become ubiquitous and permeate a daily life wherein propaganda, ideology, advertising, entertainment, and spectacle commingle and implicate each other.
As Contemporary Art in all of its manifestations is saturated with the circulation of images, the question of "What is next, if anything?" and "What strategies might be employed to create the image that is not so implicated?" and "What are the limits, if any, to an artist's genre of artmaking?" have increased in salience. In response, the twenty one artists on view challenge how their image-making might oppose traditional perception and where, in fact, it might insist on it?
Patterns emerged organically—shadows, distortions, color play, and a tangible mark-making link these disparate works and artists. The visceral desire to push against expected boundaries of visual representation allows these works to appear simultaneously wondrous and meticulously calculated. On view in the gallery space, they present as a unified force eager to call upon symbols and references and turn them on their heads.
In this third iteration of our annual group exhibition, these 21 artists, with the careful curation of Luiza Lukova, respond to these states of affairs with all their social, political, and aesthetic implications. Foregrounding after / time’s research-forward focus, each of these artists bring to the fore their insights into the image. By turns whimsical, tragic, industrial, poésie concrète, and definitionally-defying, these works of art make us wonder why image provokes beyond itself, why a limitation for one person is an alternate universe for someone else, or to what extent image is inherently open-ended, even with the weight of its history as window, frame, mirror, concept, idea, and representation. Image as the possible and the no-place of utopia. It’s all there, and more."
Exhibiting Artists:
S. Proski / Thomas Huston / Nicole Williford / Brooks Cashbaugh / Isaac McKenna / Andrea Bagdon / Eso Malflor / Jacob Romero / Bryce H. Frimming / Carolyn Hazel Drake / Ahnika Wood / Karina Rovira / Viktor Kobylianski / A.J. Cincotta-Eichenfield / Yuyang Zhang / Megan Bainbridge / John Walker / Wang Yiming / Sydney Milan Roberts / Ruth Meijer / Häsler Gómez



Häsler Gómez / UNNAMED (TOMORROW, AND TOMORROW, AND TOMORROW), 2024 / New York Times newspaper, water extracted from the air, tar, enamel, touch / size variable

Devil’s Island, 2024 / oil on paper mounted on panel / 13" x 11"
![Thomas Huston / [1949755] Spectrophotometry Template for Alfred Stieglitz (American, 1864-1946), Georgia O’Keefe, 1918, Platinum print, Unmarked recto; inscribed verso, upper center, in graphite: 11 [?]; verso, upper right, in graphite: [one perpend](https://images.squarespace-cdn.com/content/v1/679a90a30d85065542501143/fba98748-1cbb-4bdf-aff7-5a2f39704a2c/After-Time-After-Image-003-DZC_7245-web.jpg)
Thomas Huston / [1949755] Spectrophotometry Template for Alfred Stieglitz (American, 1864-1946), Georgia O’Keefe, 1918, Platinum print, Unmarked recto; inscribed verso, upper center, in graphite: 11 [?]; verso, upper right, in graphite: [one perpendicular line]; verso, upper right, in graphite: 11 visi [?] de [?]; verso, center, in graphite: [scribbles]; verso, right center, in graphite: [four perpendicular lines] verso, left center, in graphite: [one perpendicular line] K [?/backwards] / head [?] white [?] [two words crossed out/sideways]; verso, right center, in graphite: Are [?] all, Image: 24.5 × 20.1 cm (9 11/16 × 7 15/16 in.); Paper: 25.3 × 20.2 cm (10 × 8 in.), Alfred Stieglitz Collection, 1949.755, first drawn Doug Severson in 1985 (densitometer), 2023 / permanent marker on polyester 4 mil drafting film in artist’s frame / 14.75" x 18.75" framed / [1949751] Spectrophotometry Template for Alfred Stieglitz (American, 1864-1946), Georgia O’Keefe, 1919/1921, Palladium print, Image: 24.3 × 19.4 cm (9 5/8 × 7 11/16 in.); Paper: 25 × 20.3 cm (9 7/8 × 8 in.), Alfred Stieglitz Collection, 1949.751, first drawn by Sylvie Penichon in 1997 (densitometer 2023), 2024 / permanent marker on polyester 4 mil drafting film in artist’s frame / 14.75" x 18.75"

Andrea Bagdon / Adoration, 2025 / encaustic, oil organza still monotype on panel / 16" x 14"

Nicole Williford / In Waiting, 2024 / oil on birch panel / 20" x 24"

Isaac McKenna / Erratic (Leschi Park, Seattle, WA #2), 2024 / 16" x 20" in framed

Jacob Romero / Untitled (Ecclesiastes 1:5), 2024 / graphite on paper, vellum overlay (diptych) / 9" x 12"

Megan Bainbridge / Red 40 from Reading the Black (left) and TBHQ from Reading the Black (right), 2024 / C-41 and black and white 35 mm film and acrylic / 8.5" x 11"

Wang Yiming / Wang_youve_once_said_2_detail, 2024 / silver gelatin fiber print in artist’s frame / 13" x 16" framed

Ruth Meijer / Meander I and Meander II, 2024 / charcoal on paper / 16" x 20" framed

Sydney Milan Roberts / Life of a Spider, 2024 / acrylic on canvas / 4" x 4"


John Walker / WELLIAMAFRAIDOFFIRE, 2024 / 1:00-minute, single-channel video

Yuyang Zhang / request for evidence, 2024 / acrylic, ink, sparkles, vitamin D pills, rubber penis, cold brew bottle / 11" x 3" x 3"


Eso Malflor / Minneapolis’ Third Precinct, 2024 / soil charcoal, water, smoke, soot, fire, and resin from burning palo de ocote on paper / 52" x 36"

A.J. Cincotta-Eichenfield / FLOATING ISLANDS-01, FLOATING ISLANDS-03, and FLOATING ISLANDS-07, 2024 / etching press carbon transfer of photopolymer plate on Stonehenge 250gsm paper / 11" x 15"

Viktor Kobylianski / TWIST (DIPTYCH), 2024 / cement dust, pigments, and cotton / 32" x 20"

Ahnika Wood and Karina Rovira / I Hear All the Cries its Laying Bare Has Cost M/e (Y/our Letter), 2024 / cyanotype on cotton paper / 9.5" x 6"

Carolyn Hazel Drake / Eccentric Patchwork I, 2024 / daiwabo cotton, wool, glass beads, thread / 8" x 10"

Nicole Williford / Suburban Dream, 2024 / 20" x 24"

Brooks Cashbaugh / Snake Root Shadows on Aluminum Siding, 2023 / oil on birch panel / 52" x 42"

Eso Malflor / Self-Portrait (Post-Op), 2024 / red rock sediment, charcoal, water, smoke, soot, fire, and resin from burning palo de ocote on paper / 22" x 34"

Brooks Cashbaugh / a fog that makes redirection difficult, 2022 / oil on birch panel / 10" x 8"

Bryce H. Frimming / An Apex of Demise, 2024 / oil paint, enamel paint, canvas, ink, nori paste, chains, staples, and gas cans / 250" x 115"

